Paradise Trilogy by Ulrich Seid Essay Example | Topics and Well Written Essays - 1500 words

paradise Trilogy by Ulrich Seid - Essay ExampleComparisons between the formal strategies of all the cardinal elements of the nirvana Trilogy are also made. The paper also discusses the political relevance of Seidls work in the fiat of today. Introduction The depictions of homosexual life in Ulrich Seidls paradise Trilogy are certainly not re parade in manners that would appeal to a close-minded audience. Therefore, to truly appreciate the essence of Seidls filmmaking in the Paradise Trilogy the private lives of the characters should be observed carefully and even their most disturbing secrets accepted. The Paradise Trilogy represents in its three installments the true feelings that humans yearn for and seek in life love, faith and hope. The achievement for the theatre director however, certainly remains in how the movies are presented in a way that is entirely realistic until now disturbing and provocative. The purpose of this paper is to extensively and comprehensively anal yze the formal strategies of the last installment of the Paradise Trilogy, Paradise Hope. The discussion aims to understand the transition of the formal strategies employed by the director throughout the three movies by examining the similarities and difference that are reflected in the entire trilogy. In conclusion the paper aims to define the artistic creation of Ulrich Seidl that is portrayed through the course of Paradise Trilogys journey with regards to its political and aesthetic relevance to the fellowship of today. Paradise Trilogy According to Perry the progression of formal strategies in cinema is a reflection of the evolution of filmmaking itself that bit by bit transitioned from the sketches of mid and late 1800s in favor of tackling more complex storylines and abstract ideas in the early 1900s (25). While, commentators and analysts such(prenominal) as Perry would assert that the progression of formal strategies in filmmaking are representations of a new epoch in the history of cinema it should be noted that the skills of a director such as Seidl who wishes to portray human condition as it really is augments the implementation of formal strategies in films. Even though, the essence and the core of Paradise Trilogy remains inert throughout the three parts the interrelation of the stories has not barred Ulrich Seidl from employing a mental image of formal strategies in his last installment Paradise Hope. As with Seidls previous work such as the movie titled Import/Export, those who are familiar with his talents would have expected the director to restrain the projection of despair and stagnation with regards to the protagonist of the film. As Frey notes that once the director famously wished viewers present at the premier of his movie, Dog Days (2001) a disturbing evening (189). What certainly comes as a relief for the audience is that Paradise Hopes protagonist Melanie Lenz displays oftentimes conviction and integrity throughout the course of the movie which documents her journey at a diet camp and her relationship with a much older doctor, the last installment of the trilogy in fact assists the emergence of an optimistic and hopeful side to Seidl that was thusly unexpected but rewarding. While it is obvious that the films in the trilogy share an important relationship with regards to the involvement of the characters in each installment of Paradise, the protagonist in Seidl